Narrator: Laurie Calhoun
Published by Self Published / Indie on 22 March 2018
Length: 6 hrs and 41 mins
Genres: Literary, Mystery/Thriller, Noir, TechnoThiriller
Source: Author, Submitted
When is a suicide not a suicide? You Can Leave, a novel by Laurie Calhoun, portrays a dark, disturbing, dystopic world where dissenters are permanently silenced whenever perceived of as threats by ruthless sociopaths occupying the highest corridors of power. The narrator relays her experiences at the hands of “the new mob”, a coordinated network of operatives enlisted from all walks of life on a “need to know” basis to carry out what appear to be trivial tasks for enticing sums of money. Lost in the labyrinth of an insane bureaucracy run amok, the heroine charts her path to survival using the only available means: her capacity to think. But will that be taken away from her as well?
Where Franz Kafka meets George Orwell meets Jorge Luis Borges, the world of You Can Leave is fraught with paranoia and fear but illuminated by the light of pure reason. As the targeted protagonist uses logic alone to surmount hurdle after hurdle, she leaps in and out of the frame created for her by the author, thereby forcing the reader to confront an unsettling possibility: Could this be the world in which we currently live?
©2018 Laurie Calhoun (P)2018 Laurie Calhoun
ABR received this audiobook for free from the Author, Submitted in exchange for an honest review. This does not affect our opinion of the audiobook or the content of our review.Buy from Audible Buy from Amazon.comAdd to Goodreads
“You Can Leave”, written and narrated by Laurie Calhoun can best be described as the confusing, convoluted, and contrived ramblings of a very disturbed person and based on the below review you will see that it did not work for me. What I believed I was going to be treated to, based on the author’s audiobook summary, was a captivating, suspenseful and dystopian, story I the likes of Orwell. But, instead, the story turned out to be a bunch of unbelievable and uninteresting monotone musings from the book’s main character. It felt like an outline lacking all the aspects of what makes a story interesting. It lacked the standard core story arc elements such as a build, climax, or resolution. It felt unfinished and lacked any depth expected from a story which set the bar in the book’s summary.
The book felt more like a dump of one’s thoughts without any detail, depth, or dimension. Maybe reading it yourself would have made it more interesting, but the audiobook had too many issues for me to enjoy it. The language used by the main character seemed inconsistent from chapter to chapter feeling more like the author put her work through a thesaurus looking for infrequently used synonyms for commonly words.
The repetition of the author stating, “this is a work of fiction, or is it?”, was overly used and instead turned into a rolling my eyes every time I heard it. I believe the author’s intent was to build a sense of suspense and mystery, but for me it instead pulled me out of the story because it was overly used. At no time while listening did I feel suspense, nor did I get a sense of paranoia expected. The book was just too odd and confusing for me to enjoy it. The author’s use of flashbacks was ineffective and did not give me any real insight. Maybe the genre or style of writing was not for me, I will leave that up to other reviewers. Multiple times I wanted to chock the book up to a DNF (Did not finish), but I kept going to see if it would end with a bang or big surprise. Sadly, I was disappointed.
Not only was the book difficult to follow, this is one of the cases where the narrator herself should not have performed her own work. The book may have been quite different if the audio was not so tinny as if it was spoken into a cheap USB microphone. The narration also did not use any inflection in her speaking nor was there any emotion. This may have been the author’s intent based on the book’s overall theme, yet it made completing the book very difficult. Not only was the audio quality quite disrupting, but there were plenty of places where one could hear page turns, swallows, and other background noises while listening. There were just too many audio issues to say that they were simply overlooked during editing.
For parents and younger readers, this book has some infrequent use of profanity, yet there are a few words sprinkled here or there. There is both sexual and adult subject matter including alcohol and drug use along with conversations dealing with suicide. I would not recommend this book for less mature readers.
In summary, I cannot recommend this book because of all the issues stated above. The story was uninteresting and dry. The narration was not engaging and monotone.
- The Genesis Conspiracy by James D. Prescott - October 12, 2018
- City Of Sand by Robert Kroese - October 4, 2018
- Autonomous Future (Autonomous Series Book 1) by Victor Illian - September 27, 2018
- Extinction Countdown (Ancient Origins Series Book 2) by James D. Prescott - September 20, 2018
- Planetside by Michael Mammay - September 14, 2018