The Hellbound Heart: A Novel by Clive Barker

Posted January 29, 2016 by michaelhicks in Reviews / 3 Comments

The Hellbound Heart: A Novel by Clive BarkerThe Hellbound Heart: A Novel by Clive Barker
Narrator: Jeffrey Kafer
Published by Crossroad Press on 23 July 2013
Length: 3 hrs and 8 mins
Genres: Horror
Format: Audiobook
Source: Purchased
Rating Report
Story (Plot)
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Performance
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Production Quality
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Attention Holding
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Overall: One StarOne StarOne StarOne StarHalf a Star

Frank Cotton's insatiable appetite for the dark pleasures of pain led him to the puzzle of Lemarchand's box, and from there, to a death only a sick-minded soul could invent. But his brother's love-crazed wife, Julia, has discovered a way to bring Frank back - though the price will be bloody and terrible...and there will certainly be hell to pay.

©2007 Clive Barker Ink, Inc. (P)2013 David N. WIlson


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Clive Barker is an author that’s been on my to-read list for a number of years, ever since I first saw the movie Lord of Illusions (jesus, twenty years ago now? yeesh…) and heard Stephen King sing his praises as “the future of horror” way back when. So yeah, Barker’s been in the game for quite a long time, has established himself as an icon within the genre, and I am a woefully massive latecomer to his work. I figured it’s high-time I corrected that by giving The Hellbound Heart a listen.

I went into this book mostly blind. I had a fairly superficial knowledge of Pinhead and the Cenobites (think demonic, leather-clad, freaky, mutilated S&M goth types) thanks to the Hellraiser flicks and their place in pop culture. I knew this was the book that inspired the first Hellraiser movie, which I haven’t seen, and had little idea what to expect story-wise. I guess I had expected a lot of Pinhead and his Cenobites, and was surprised to find them mostly absent save for brief appearances at the beginning and end of this book.

In their absence, though, we get a pretty cool and mysterious gothic-tinged story. Frank Cotton has come to possess an old artifact, Lemarchand’s puzzle box. When opened, it serves as a key between realities, opening the door separating the real from the more realer still. This is, in short, a dimension of nightmares.

Following Frank’s disappearance, his brother Rory and Rory’s wife, Julia, move into the house that Frank had briefly inhabited. Julia finds herself becoming drawn to an empty, drafty room, in which the drapes have been nailed to the window sills to keep the light out. The room seems to ‘speak’ to her, and she finds herself growing emboldened, bringing lovers to this room in order to spill their blood. Blood that Frank needs to return.

Narrated by Jeffrey Kafer, Barker’s elegant prose is brought to life in a style somewhat reminiscent of the golden age of radio plays and a touch of Rod Serling. This is a terrific match for the fantastical, metaphysical horrors Barker describes. And, oh boy, describe it he does. We get some pretty brilliant depictions of sex and violence, from the gory-looking Cenobites and Frank’s initial encounter with them, right on up to chaotic finale. Barker goes for the guts, sometimes literally (I suspect “the carpet of her bowels” is a phrase that will stick with me for too damn long), but there is a rather strange beauty to the madness.

The audio production is superb, and I really liked the bit of sound engineering that went into the delivery of dialogue from the Cenobites. Kafer’s narration suddenly takes on an ethereal, otherworldly echo to drive home the fact that these things are not human and most definitely not of this Earth. It was a bit startling to hear at first, but jeez is it ever a cool and welcome addition, and a nice demonstration of the elasticity in design that audiobooks are capable of. Kudos to Crossroads Press for that extra bit of effort!

Ultimately, I felt The Hellbound Heart was a satisfying introduction to Barker’s work, and I’ll be checking out his works in the future as time allows.

About Clive Barker

Clive Barker was born in Liverpool, England, the son of Joan Rubie (née Revill), a painter and school welfare officer, and Leonard Barker, a personnel director for an industrial relations firm. Educated at Dovedale Primary School and Quarry Bank High School, he studied English and Philosophy at Liverpool University and his picture now hangs in the entrance hallway to the Philosophy Department. It was in Liverpool in 1975 that he met his first partner, John Gregson, with whom he lived until 1986. Barker’s second long-term relationship, with photographer David Armstrong, ended in 2009.

In 2003, Clive Barker received The Davidson/Valentini Award at the 15th GLAAD Media Awards. This award is presented “to an openly lesbian, gay, bisexual or transgender individual who has made a significant difference in promoting equal rights for any of those communities”. While Barker is critical of organized religion, he has stated that he is a believer in both God and the afterlife, and that the Bible influences his work.

Fans have noticed of late that Barker’s voice has become gravelly and coarse. He says in a December 2008 online interview that this is due to polyps in his throat which were so severe that a doctor told him he was taking in ten percent of the air he was supposed to have been getting. He has had two surgeries to remove them and believes his resultant voice is an improvement over how it was prior to the surgeries. He said he did not have cancer and has given up cigars. On August 27, 2010, Barker underwent surgery yet again to remove new polyp growths from his throat. In early February 2012 Barker fell into a coma after a dentist visit led to blood poisoning. Barker remained in a coma for eleven days but eventually came out of it. Fans were notified on his Twitter page about some of the experience and that Barker was recovering after the ordeal, but left with many strange visions.

Barker is one of the leading authors of contemporary horror/fantasy, writing in the horror genre early in his career, mostly in the form of short stories (collected in Books of Blood 1 – 6), and the Faustian novel The Damnation Game (1985). Later he moved towards modern-day fantasy and urban fantasy with horror elements in Weaveworld (1987), The Great and Secret Show (1989), the world-spanning Imajica (1991) and Sacrament (1996), bringing in the deeper, richer concepts of reality, the nature of the mind and dreams, and the power of words and memories.

Barker has a keen interest in movie production, although his films have received mixed receptions. He wrote the screenplays for Underworld (aka Transmutations – 1985) and Rawhead Rex (1986), both directed by George Pavlou. Displeased by how his material was handled, he moved to directing with Hellraiser (1987), based on his novella The Hellbound Heart. His early movies, the shorts The Forbidden and Salome, are experimental art movies with surrealist elements, which have been re-released together to moderate critical acclaim. After his film Nightbreed (Cabal), which was widely considered to be a flop, Barker returned to write and direct Lord of Illusions. Barker was an executive producer of the film Gods and Monsters, which received major critical acclaim.

Barker is a prolific visual artist working in a variety of media, often illustrating his own books. His paintings have been seen first on the covers of his official fan club magazine, Dread, published by Fantaco in the early Nineties, as well on the covers of the collections of his plays, Incarnations (1995) and Forms of Heaven (1996), as well as on the second printing of the original UK publications of his Books of Blood series.

A longtime comics fan, Barker achieved his dream of publishing his own superhero books when Marvel Comics launched the Razorline imprint in 1993. Based on detailed premises, titles and lead characters he created specifically for this, the four interrelated titles — set outside the Marvel universe — were Ectokid


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